|First color: Testor's Acrylic Model Masters 4707, 'Red Earth',|
which is the closest color I can find to match the Floquil
'Samoa' that Phil specified way back when.
|Second Color(s): Black for the hair, 'french vanilla' for the kilts,|
'Terracotta Brown' for the leather, and Liquitex 'Antique Bronze'
for the lady's armored skirt.
|Yet More Second Color(s): Liquitex 'Titanium White' for the|
robes and headdresses, Liquitex "Pale Orange' for the
(Who's that goddess in the back?)
The idea is to work from the skin out, 'dressing' the figure with paint as one works from the skin to the outer layers of equipment.
So, the first color that went on all of the figures is my usual Testor's Model Masters Acrylic #4707, 'Red Earth'; this paint is the closest color that I can find to match the old and now long-out-of-production Floquil 'Samoa', which Phil first mentioned in his 'Painting Guide' that he published in The Dragon magazine back in 1976 or so. Since all of my figures usually wind up standing in for somebody on Tekumel, I paint everybody in this for their skin tone. As you can see, you don;t have to be really precise; any stray paint will get covered over in the next step.
Second, kilts / tunics, headdresses if any. I also usually do hair at this point, fully expecting to have to touch up the black after I do any collars or necklaces. Hair is usually Liquitex 'Ivory Black', often with a flat black undercoat, as this is a slightly glossy / satin finish and looks more like real hair. Once the basic clothes are done, then it's whatever layer is on top of that; in this case, it's the leather armor for the temple guards.
I also got ahead of myself here, and did their shields and some other stuff; normally, I do all this in the third step, when I do all of the belts, straps, bags, and other accessories. I also put some Liquitex 'Antique Bronze' on the emblems on their armor; again, this would normally one of the last things I would do, but hey - I love these figures!
Should I do a list of paints, both the old ones and what I use these days?
Now, with this set of colors curing, we'll let everybody sit on the workbench for a night, and be back tomorrow after everything dries hard...